The most famous film by theorist and filmmaker Trinh T. Minh-ha is an intricate collage of the experiences of generations of Vietnamese women, both in Vietnam and the United States, weaving together archival footage, testimonies, reenactments, poetry, and folk songs. This convergence of voices rejects endorsing a dominant narrative, instead questioning the concept of nationhood...。民国初年,军阀罗蛮子得到了一只麻姑玉枕,便惦记上了棺山古墓,不惜四处拉壮丁强行开墓盗宝。退隐多年的张三爷,应师弟赫老鬼之邀,与徒弟二人奔赴龙塘乡。两个徒弟不忍珍宝被罗蛮子夺了去,于是夜访大帅府偷出了玉枕。张三爷无奈之下答应了赫老鬼的请求,想赶在罗蛮子之前找到麻姑墓,将墓中珍宝转移。可这场行动的背后,竟是赫老鬼与罗蛮子精心布置的陷阱……。